In triplicate
After having read several reviews recommending the graphic novel version of A Wrinkle in Time by Madeline L'Engle, adapted and illustrated by Hope Larson, I had high expectations about revisiting this story. Hope Larson's other graphic novels Mercury and Chiggers had been most enjoyable so there was lots to look forward to.
The book arrives, I take it home and merrily begin zipping through it. About a third of the way in, I start to feel a little dissatisfied. Not really disappointed but I kept feeling like something was missing.
I had read the novel sometime in the 80s (a long time ago -- I know!) and remember loving the book. I loved the characters and found the plot fascinating. I remember being gripped. But because my initial consumption of the book was a long time ago and my memory isn't what it use to be I was a little vague on some of the details of story. I had envisioned tucking it the graphic novel to revisit old friends in far-out worlds and I wondered why I was not enthralled with the graphic novel. Was it my faulty memory?
I realized a little further on that the graphic novel gives us primarily dialogue and without L'Engle's beautifully written descriptive passages I felt like I was reading a Coles Notes version of the book. The plot was pretty much the way I remember it. All the characters were accounted for. The visual aspect of the book was working for me but my imagination wasn't able to recreate the world that L'Engle had created with her words.
Going back into the office I mentioned this to work-mates Janet H. (occasional guest blogger) and Lynn K. I discovered that Janet had read it like me sometime ago and that Lynn had never picked up the book. I thought it would be interesting, if the they were keen to read the graphic novel, if we all wrote up our responses as a blog posting. I was hopeful that Janet or Lynn would find it really good like many other reviewers and show me why it was supposedly such a good adaptation of the novel.
Being the good eggs that they are, they both agreed to this and their responses followed.
I would recommend this book. It is highly accessible in terms of characters and plot and struggling readers will keep up. I just keep thinking that they'll be missing something if they never read the original story.
By Janet.
Notes on “A wrinkle in time” – the graphic,
the original, the audio. Because when Tammy gives me an assignment, I want to
do it PROPERLY!!
First of all – I read “A wrinkle in time”
many years ago – so far back that although I remembered the story, I didn't remember the details (I'm old – forgive me). In fact, the edition in the
Doucette is from 1964, so we know I am talking MANY years ago. So I approached
the graphic novel with some enthusiasm. I could knock it off quickly and
refresh my memory. All good, right?
Well, no, not really. I found myself
getting restless by about page 94. I couldn't remember why I had thought this
book was special – and the graphic novel wasn't capturing it. But sometimes
that happens – a much loved story read when you are young can often be less
successful the second time around.
I went back to the original novel, hoping
to capture some of what I loved about the original story. And I did. L’Engle’s
use of language, her ability to really TELL a story – the descriptions of Meg,
Charles Wallace and Calvin wrinkling through time brought back my original
enthusiasm for the book. And although I caught some things the second time
around that I didn't remember from my first reading (the Christian themes threw
me, as did the rather quick ending), I would still whole-heartedly recommend
this book.
Oh – and I listened to it as well. I
thought it would save me time as I could move back and forth between the
written (read before bed) and the listening (in my car on the way to work,
meetings etc.) The reader did an admirable job of capturing what I thought the
voices should be and the story held firm in my memory.
My problem with the graphic novel? For me,
it was mainly the graphics. The
production value of the book at first glance seems high. The book is a hard
cover and the cover shows a dark, rich blue-black sky, with a few twinkling
stars and the three main characters in colour. But the graphics inside are in
blue and black only – and I found it a challenge sometimes to determine just
what is happening, in the rush through time and darkness/light. The art could
have captured, in part, what is not there in words. Full colour would have
allowed the reader to see the vastness of the dark from atop Mrs.Whatsit’s back
or see the exact moment when Charles Wallace goes “under” the influence of IT.
Instead, the vacancy of his eyes is only partially captured (only so much can
be done with black, blue and white, I guess). The magic of the original story
was in the strength of the language and the descriptions. When that was
removed, the story was, for me, much less colourful and left me not really
satisfied that I had the full story.
By Lynn.
A Wrinkle in Time: the graphic novel
I had never read A Wrinkle in Time, so agreed to read both
the graphic novel and original versions and write about my reactions. First, I
read the graphic adaptation. It was
interesting to read, though a bit slow to start. I found the initial character
and story set-up to be long, and somewhat tedious and confusing done in
pictures. The black and blue illustrations were really annoying at first, but
once I got into the story, they were not as noticeable and the narrative sped
along. The story itself was straightforward, though it seemed to end in a bit
of a rush.
Then I read the original prose version. It was much quicker
to set the scene and establish characters, which was done in only a page or two
compared to several in the graphic version.
There was also more scope for description of surroundings and emotions. The
graphic adaptation was very faithful to the original, so there were no
surprises in the story. The only time I remembered the pictures were for the
unusual creatures such as Aunt Beast. Otherwise I was content to let my
imagination work and not be bound by someone else’s vision. I preferred the original prose version for
this reason, but would certainly recommend the graphic novel for those who like
the format and reluctant readers who would find the combination of pictures and
words easier to handle.
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